Terminator 2: Judgment Day 3D

Science Fiction – 130 Minutes – USA – 1991 (2016 for the 3D version) – 130 min – Rated R

About the original 2D release

One of the greatest Movie Franchise of all-time

Top Grossing Film Released in 1991: Over $500 million World wide ($1 Billion adjusted for inflation)

An absolute precursor for Special Effects

A true Mythology: T2 is THE Cult Film of the Terminator Saga

A very large an active fan base: 4 million fans on Facebook

Synopsis

It has been 10 years since the events of Terminator. Sarah Connor’s ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he’s still a child.

Sarah and John don’t have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost.

The battle for tomorrow has begun….

James Cameron’s masterpiece starring Arnold Schwarzenegger in his most iconic role, has been converted in immersive 3D by Cameron himself. First hitting our screens in 1991 with groundbreaking special effects, the 3D version will take the seminal blockbuster to the next level of effects and into the 21st century for the next generation of fans.

About the 3D restoration

The project was initiated by Lightstorm (lei), James Cameron’s production company, DMG Entertainment and Studiocanal. James Cameron’s team oversaw this 3d conversion from start to finish. This highly experienced and award-winning team had already supervised Titanic’s 3d conversion and is currently working on the avatar sequels.

The original 35mm negative was scanned and then restored in 4k at deluxe la, under the supervision of Geoff Burdick, Lightstorm. The film was calibrated in 4k by skip, James Cameron’s colorist, at Technicolor Hollywood, with a selection of the best 35mm prints from the film’s first release. The film was then converted into 3d by stereo d. (Star wars, Avengers: Age of Ultron, Jurassic world).

This work lasted almost a year and was daily monitored by Lightstorm’s teams, to produce a high-end 3d version at the level of the last 3d outputs from U.S. Studios. The 3d version then benefited from a calibration and a specific finish at Technicolor Hollywood, still under the supervision of skip and James Cameron himself.

Directed by

James Cameron (ALIENS, THE TERMINATOR, ABYSS, TITANIC, AVATAR)

CAST

Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong

REACTIONS

The Terminator 2 is movie-making on a massive scale, packed dense with spectacular touches that are too many to describe – escape scenes, helicopter stunts and huge explosions.” –  San Francisco Chronicle

“Best of all, though, the level of tension in the film is palpable because we can`t figure out how Arnold is going to terminate the Terminator.” – Chicago Tribune
“A pop epiphany, marking that commercially creative point where the power of Hollywood meets the purity of myth.” – Globe and Mail
“More elaborate than the original, but just as shrewdly put together, it cleverly combines the most successful elements of its predecessor with a number of new twists to produce one hell of a wild ride.” – Los Angeles Times
“Terminator 2 is a state-of-the-art action movie, all right: It gets you thinking that the most reasonable thing might just have been to blow everyone away.” – Entertainment Weekly
“For all its state-of-the-art pyrotechnics and breathtaking thrills, this bruisingly exciting movie never loses sight of its humanity. That’s its point, and its pride.” – Newsweek
“Mr. Cameron has made a swift, exciting special-effects epic that thoroughly justifies its vast expense and greatly improves upon the first film’s potent but rudimentary visual style.” – New York Times
“It’s Cameron’s show; he’s the reigning king of movie pow, with dark wit and a poet’s eye for mayhem. T2 cost a reported $100 million, and you can actually see where the money went.” – Rolling Stone
“Brutally beautiful, darkly comic sci-fi.” – Washington Post

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